Rebel Noiz

Rebel Noiz

Monday, October 28, 2013

Feature: Graffiti and Banksy (Covering His New York Visit)

Graffiti, many people loathe what it does to their cities, they find it tasteless, damaging (to property), unlawful, dirty, and some would probably say it is an act of savagery (to name a few negative emotions that graffiti causes to residents). Some use graffiti to mark their territory, to leave a legacy, to express themselves, or even to get a rush of adrenaline for breaking the law. Most cities have called for murals to be painted in their cities to represent a piece of their city, which clearly shows the influence modern style graffiti has had on art. Graffiti has been around since the Stone Age if you really look at it. Graffiti is a form of expression to many as well as a form of art. Some modern day graffiti is quite primitive, looking like a scribbled name by a small child, but some can be very intricate.

Graffiti has played such a role in the helping us understand where we came from pertaining to anthropological studies and if we just took a chance to look at the graffiti through the years, we might be able to understand our own society a bit better. Banksy is one such graffiti artist that uses the art to show his political and social views in a way that almost makes you wish that it was lawful to conduct such activities. He comes from the UK and has done such things as add a piece of art to museums with a description (like any other museum piece) which at times goes almost unnoticed by the art staff. He has also used such props as a defiled phone booth laid out in London to make a statement.

In October, Banksy has come to New York City in hopes of turning heads and to help people understand our international and national actions seen through his own eyes. He really does it in an innovative way that sometimes doesn't use paint.




In this display, he packs a slaughterhouse delivery truck full of stuffed animals calling it, "Sirens of the Lambs". This particular truck toured the a meat packing district in New York for two weeks to show Banksy's distaste for the industry.



This piece is called, "Lower East Side", and it turns a trashed car into a piece of art.  His controlled strokes of a spray paint can are like no others and he really knows how to turn and abandoned alleyway into a piece of art.




This piece called "Greenpoint" showcases his satirical humor in how people use statements by philosophers to help bring some more validity and profoundness in what they are trying to say or even in social media to show what they stand for. I think it is a true cry out to the world to be original, convey your points with your own mind. This particular piece was done on day eight of his stay.




This piece came at day eight as well titled, "Brooklyn". It is an ode to all the broken hearts out there and I think it also says that it is funny how we buy flowers and balloons to help save our significant others from having a broken heart because of our mistakes in a relationship (like cheating for instance).




This piece is a satirical piece on how New York turns everything into a musical and it is called "Bushwick".




Another satirical piece that personifies the the fire hydrant as loving the attention from a dog urinating on it, called "Midtown".



  
This piece is a lot like the previous one, but a bit more blatant. He is definitely a person who is against the same old ideas and status quo.

Banksy has definitely left a mark in society. Many of his pieces have been already painted over, but through photography, they will live forever. I implore you to check out his documentary called, "Exit Through the Gift Shop" it is great and shows you a lot on many of his previous works. Some of his works have sold for thousands.


Sources for the article:


and my mind...

Written by:
Craig Ludwig

Sunday, October 27, 2013

Interview #12 With Mr. Fritz aka Frandy Brown



Mr.Fritz aka Frandy Brown, is a Hip Hop artist/ producer/ engineer out of Mattapan section of Boston, MA. When we at Rebel Noiz heard Bragging Rights, we immediately had him in mind for an interview. He is a lyricist and truly a gifted craftsman of the Hip Hop music culture. He takes his life experiences and really concentrates on his lyrics to make sure they hold true to the message he is trying to send. He wants ya'll to know that life isn't just something you live, it is something you see too. His artistry strongly comes from his determination to show the world what he has seen and lived.

On top of that, he has worked hard on his craft since the age of 15. Even he admits that it wasn't easy at first, it was something that he had to work on. It was the passion that he had for music that really made him improve and the support that he got from others seeing his raw gift with words. He utilized his drive to become an engineer as well as a producer. Mr. Fritz is an artist that deserves your ear and hopefully this interview helps capture his character and helps you understand that very fact. I hope he sticks around because his brand of Hip Hop is top notch and he deserves credit for his hard work.



The Interview...

How was life like growing up in Boston and why did that life bring you to music?

"I mean, I'm not going to act like I had the easiest upbringing. I've had a pretty hard life. When I was in elementary school, when my mother and father were together, we had a 2 bedroom apartment on Blue Hill Ave, where my mother had 4 kids including me, and my cousin came up from Haiti and stayed with us for a while. I've dealt with foster care, I was in jail for a little bit...I've been kicked out of 4 schools and I even dropped out of high school for a year until I decided to go back and get my diploma. I tried dealing with my personal issues by being in the streets with my homies, but I just found music to be therapeutic to me. It gives me value, I feel. People from where I'm from don't normally amount to nothing. Most of the people I grew up with aren't doing much with their lives cause they get caught up in the trap that the hood puts us in. And if I'm able to spread the word about how I've been taught things and how I see things from my environment then it's a job well done to me."


What is it about your life that you feel needs to be told?

"I feel like I'm the main guy out of Boston that speaks on the hood in a non-grimey way. What I mean by this is that...there are plenty of rappers that talk about the hood in Boston. But (and not to sound cocky saying this) but not many of them do it like me. I take pride in saying I paint my pictures a different way than your typical artist when it comes to this Hip Hop thing. I see more than just people getting shot, more than just the crime. I'm the person that would explain why things are happening, what's going on in the head of a person from the hood. I understand how things work around here. The experiences of a person who's lived a similar life that I've lived. That's what Hip Hop is about. We're CNN. We're telling people what's going on out there and within our souls. That's what I believe anyway."


What was the first official track you got on and how did it feel after you were done with the track?

"The first track I got on, I was TERRIBLE. I was only 15 though and my boy Ceddy (Free Ceddy) brought me to the studio for the first time. But I had a punchline that hit so hard that the group that was in the lab at the time asked me to join them. We're still homies to this day. The first track that got me respect though was a freestyle I did to Cam'ron's Down and Out beat. Even my boy's father was feeling it. From then on, I was addicted and wrote damn near compulsively. Because I didn't want anyone to ever think I was wack, ever."



Early on in your career, how come you kept pushing, so many fall off, why didn't you?

"Because my love for Hip Hop is genuine. The song that made me love Hip Hop completely was Killing Me Softly from TheFugees. That was the first Hip Hop song that I truly loved. I might do some tracks that might not be constituted as Hip Hop once in a while, but I will always show love to Hip Hop. Plus, I'm the pickiest person when it comes to what I do and how I do it. I'm a perfectionist when it comes to the pen. I'm not the best recording artist or performer, but when it comes to penning a song, I don't play. I make sure every line makes sense in relation to what kind of picture I'm trying to paint."


You are an artist/ producer/ engineer, which aspect do you concentrate on the most and why?

"I mean, I've always focused on the artist part. I started producing out of necessity, mainly. But I love soul samples and searching for them and chopping them like no other. I wish I had the time to produce as much as I write, but having a full-time job and a bunch of commitments prevents me from producing like I want to. But if I eventually get to do music full-time, you'll hear some crazy stuff from me.

As far as the engineering, I was actually inspired by losing an iStandard producer'sshowcase. The winner of that showcase's beats were super clean and I started binge studying how Protools works. Now I engineer all my own stuff. I don't have the best recording environment, but I'm working with what I have and making the best of it. I just focus on being as creative as I can right now and hopefully things fall into place if I play my cards right." 


Who are your influences musically (as an artist and producer)?

"I'm heavily influenced by Jay-Z and Eminem. I also draw from Andre 3000, Cam'ron (my favorite rapper), Nas and of course Biggie. I draw from Jay-Z because his style is right on the border of complex and simple, which is what I aim for. I try to be as simplistically lyrical as possible. I also draw that he's always honest in his lyrics when it comes to him talking about his hood politics, which I respect a lot. Eminem and Cam'ron's style influenced me a lot early on before I developed my own style, but I respect Eminem's technicality more than any other rapper. I simplify his wordplay and try to go for more double entendres more than the wordplay most of the time, because I feel like double and triple entendres make for more replay value.

For producers, I gotta give it to my bro Galaxy from Crook Firm, old-school Kanye, RZA, Alchemist, 9th Wonder, Just, Nottz...the sample based producers. Galaxy's my biggest influence, but Kanye's sample based albums, Ghostface's albums (and Wu-Tang in general), The Score, Diplomatic Immunity...those albums heavily influenced me. And I loved the Rocafella sound back when they were in their prime. It's absolute genius how some of these guys flip samples."



I like how you take relevant things that have happened in the world and turn it into a metaphor, like you did in your track "Whitey Bulgar". That is a great classic element that you bring to your music. What gave you that idea and why do you like staying true to Hip Hop over going for what is on the radio these days?

"Like I said in one of your previous questions, I rap because it's therapeutic to me. I don't rap to be cool, persay. I like saying fly shit. I like talking about where I come from and it's meaningful to people. I'm much better at rapping than having a conversation. Even though rap is like conversation.

Whitey Bulger I actually wrote on the spot. It was how I was feeling at the time. Cause I felt like even though I was getting love on Soundcloud, I was still an underdog with thoughts of being a mastermind. I was feeling myself after I dropped Bragging Rights and I got all that positive feedback. I could be a real boss one day. But I'm slept on, cause I don't feel like people give me the respect I deserve. I put in work. I work really hard at what I do, so you're gonna respect it even if you don't respect me. "Whitey Bulger" in a nutshell."


You have that classic East Coast sound, lyrical and smooth delivery. I think true Hip Hop heads will like this and the storytelling aspect about your music, people will relate to it. What made you hang in the realm of the East Coast, musically?

"Well I'm from the East Coast. I still listen to stuff like Supreme Clientele, Reasonable Doubt, Pretty Toney (I love Ghostface, too). It just fits me. Plus I enjoy the challenge of coming up with good bars and if I eventually make it in the game, I want the respect of the people I look up to. If I'm ever going to rap professionally, I want to be one of the best."

Who are some of the people you work with that you think deserve a mention and personal thanks to helping you to get to where you are today?

"When you mention Mr. Fritz, you have to mention Lindsey Gamble. If I'm Jordan, he's Phil Jackson. He makes sure I play things intelligently and makes sure I stay focused. I can't give that man enough props. I also have to show love to Shawn Patel, founder of ProU and one of the hardest working guys I know. He dreams bigger than anybody I know, just like my homie BR Starr. Like I said before, there isn't much hope coming from where I come from. These guys give me hope, which is more important than anything I might be able to provide.

I also have to show love to My SmooveGang brothers, Galaxy and Walt Scott. I learned how to make beats watching Galaxy cook up some of the most amazing stuff to ever come out of FL Studio. Walt is just a great person in general and I'd do anything for that dude. We teach each other so much, it's always one of us bouncing knowledge off the other and that's just a beautiful relationship in itself. Those are my brothers right there."



What are some of the projects you have worked on recently that people can go online and check out?

"Well I dropped Bragging Rights this past June. It's still available online right now at www.pipedreammusicgroup.com. Other than that, I've done a few collabs here and there. But it's tough doing a lot when I could only do music part time. I hope to increase my workload after the next album and go on tour, but I've been relegated to local shows so that's what I'm focused on for the time being, other than my new album."

What can we look forward to in the future coming out of you, musically?

"I'm currently working on a project called The Glory that I'm trying to make my Illmatic. I performed the title track recently and got people really excited for what I'm doing. I'm aiming to make this one 10 times better than Bragging Rights...and Bragging Rights, I feel, was a pretty good album.

I have a bunch of singles, too. I want to release them but I'm trying to translate my Soundcloud success to other social media outlets. I have like 6000+ Soundcloud followers, but like 500 twitter followers and 400+ Facebook likes. That's not really good enough for me to warrant putting out a lot of music yet. I just have to make my plans work and you might hear 100+ songs from me next year, I have so much."

Lastly, what do you want out of your music career?

"To me, there's a Hip Hop Mount Rushmore; Tupac, Biggie, Jay, Em, Nas, Andre 3k...you could argue other people being on that list, obviously...but those are the people that are unquestionable. I want to be on that list. I want to be one of the best ever. If I get my foot in the door, I'm gonna make sure I make the most of it. That's why I'm working on making this next album the best project I could make, given my circumstances. You already heard "Feelin You", that was just 1 track. I'm going to make this my magnum opus and make sure everyone puts their eyes on me. That's what I'm focused on.”



Here are his links:



by: Craig Ludwig

Wednesday, October 23, 2013

Interview #11 With LvStong aka Gregory Satimin



LvStong aka Gregory Satimin was born on November 28th, 1984, in Rotterdam NL. He started the B-I-C (Bubble In Crew) in 2004. Now he is not only an MC, but a DJ and a beat producer. He produces his beats using on Propellerhead Reason and The Roland MV-8800. He  has his own studio called ‘The Garage Studio’, there he works tirelessly with many young individuals to teach them how to make their own music and build the music in their lives so that they can go on and become successful artists themselves. He likes to help people with their music because many artists out there are selfish and don't particularly like to show love to other artists.

His life is all about peace, love, and community. His group, B-I-C, do a whole different style that is a style of their own, Grime (and they use it well). Why do I say it is a style of their own, because you don't hear many MCs spitting verses over beats that sound like theirs. LvStong, Massif, and all the other UK producers, have brought their electronic style of music (Grime and DnB) and structured it for Hip Hop to create a style that is very unique in it's own way. The energy that they bring to the mic is also top notch and very crafted, you can tell that they have been doing this for a while. Most Hip Hop artists wouldn't bring what is needed to the songs and LvStong and his B-I-C group, do and do it well. You either have to be original in music, or do it better than anyone else. I think they bring a little bit of both. Hats off to them and the music they create, I think they are on to something here.



The Interview...

How did you start out with music, what was your experiences in life that drew you to it?
"As a young boy, I saw my cousin workin on a DJ set and asked him what that was and he said that is a DJ set for mixing music. It was that moment when I thought.. “what???!!! So Sick!” A  few years later, I bought my own set and I started making my own mixes. I became a DJ for school parties and private parties. Wherever I've been, music has always been at my side. My homies and I used to listen to many instrumentals and we started to rap to them, but it was always for fun. People started to listen to us and said that we had talent and that we should do something with it."

Who were the artists in music that really drove you and influenced you?
"I've always been a big fan of Michael Jackson, always looked up to his work,  so he was the start for me in wanting to do something in the music. I began to learn from many artists like Notorious BIG, Bob Marley, Alpha Blondy, and R.Kelly, but when I heard Wiley (London UK) for the first time, I converted to Grime/ UkGarage/ DnB music. The sounds on 140 BPM did it for me."

How did you get your MC name?
"Music is in my blood, so it flows in my veins and “LV” stands for Lyrical Veins which was my  name till 2005. But people from my hometown call me “STONG”, because I was a young aggressive boy and Stong is a Suriname word and it means “Stone”. So I called myself LvStong.

What are the main life experiences that you bring to your music?
"I have no main life experiences that I bring to my music. I just live day-by-day and so is every experience in life that I bring into my music."

What does music do for your life?
"Music is my life, cuz music makes my heart beat. Life is a melody, without my heart, there is no rhythm. Music makes me smile, so it makes me stronger in everything I do!"



If you didn't have music what do you think you'd be doing?
"I think I'd be a soccer player because in my youthful years, I was training 6 days a week."

How does your family influence your life?
"Well, I have 2 sons and they keep me standing. And because of them I am still working on music. Because I have learned that no matter how old you get, you will always have to live your life and one must do something with your life, so the next generation will learn that there is more in life, but it's hard work. My family is why I still make music."

What are some of the projects you have been in?
I`ve worked on 2 mixtapes that I dropped online the last year, the first one was in 2013 called,   TheGarageStudio EP (the ep is named by my studio). The second was last month's, It`s All Grimy EP.

Who are some of the people you have worked with?
Massif Beatz [BE] – DonDeBaron [NL] – Dare[NL] – Loiston Lapper[NL] – Kenny Oost[NL] – FritteDeFritta[NL] -- Dr Krank [NL] – H-B [NL] – Meck-O-Leck [NL] -- L2K [NL]--" but mostly I work with Laupi D [NL]."



How did you and Laupi D meet?
"Me and Laupi D, we`ve been homies from years ago. We played soccer on the street in our hood. 9 years ago we made our first track called “DanDangMan”, and 2 years ago we started with a remix of DanDang and since that time he joined the B-I-C and became a true member of the crew."

How did you guys come up with your name, Bubble In Crew?
"It was Rafa Skyla who came up with this name. He always said to us, 'WHEN WE COME IN, WE BUBBLE IN!!', so we called our crew, the Bubble In Crew."

What would you say the factors are that make you and Laupi D work so well together?
"Hard work, to be honest with each other. We listen to each other and most of all is love."

You just came out with an EP, what are you trying to say to the world with this EP?
"Yes, the name of the EP is, “It`s All Grimy”, and it’s a tape with dutch vocals and many producers from the UK and MassifBeatz from BE. It's all about teamwork and love and it’s a new start for most of my crew, GRIME. So what we wanna tell people mostly is, do you like the hype and the vibe, just book us!"

What are some of the projects that we can look forward to the Bubble In Crew and you to come out with in the future?
"We are working on some instrumentals for a “B-i-C - Instrumental EP” and I am also working on my solo mixtape named StongTijdPerk EP. But for now it's time to promote, It`s All Grimy EP."



Who are some of the people you plan on working with still into the future?
"It`s All Grimy with the B-I-C, so I will work on many things with my crew the next year. I don`t to work with other MCs outside my crew, because our homie Rafa Skyla is comin' back next year from Peru, so we will work with him a great deal."

What are you trying to establish with your ever growing musical community?
"I wanna learn more about music so I will learn about music even more through other people."

What do you want to accomplish with your music career and what is your ultimate goal?
"I just wanna do music. Because when I work on music there is no goal to reach, cuz every time you reach your goal there is a new goal to reach. I say I make music for the love and the fun. Then we will see what comes from it, day to day.

Bookings: lvstong.bic@gmail.com


Here are the links to the media and the music:

Facebook:
Soundcloud:
Twitter:
B-I-C – It`s All Grimy EP:
https://soundcloud.com/b-i-c010
LvStong – Broeder (Prod by MassifBeatz):
LvStong & Laupi D – Bengen (Prod by Laupi D):
Lvstong – Grime (Ft FritteDeFritta) Prod By DirtKlod:
Soundcloud laupi D:
Soundcloud MassifBeatz:

Thursday, October 17, 2013

Interview #10 With Lord Axe aka Blessing Sibusiso Ngobeni of South Africa



Lord Axe aka Blessing Sibusiso Ngobeni,  was born in Soweto, South Africa. His name is starting to grow due to his works with artists all over the world and his promotion as well that spreads all throughout South Africa. He was raised in a family of five, two brothers and his mom and dad.

His early education involved Basani as his primary school and he completed his Matric at Vuwani Secondary School. He attended college at Rosebank Collage for one year with the intent on studying graphic design and web development, but due to financial troubles, he couldn't continue. In college, he met Black Stoan, a South African musician, who taught him how to play the guitar. Within five months, Lord Axe was playing in front of audiences. He began playing guitar for the port Sis Pelokazi and he also played the guitar for the legendary punk artist, Blondie.



The Music...

Axe discovered his love for music at age 10 (and it has never stopped). In 2005 at age 14, he joined the choir and became a tenor and bass soloist. In 2006, he began taking drama and poetry classes and it was through poetry that his love for Hip Hop grew. In 2008, he met Duncan aka McCoy (his stage name) and he become his music mentor. McCoy  taught him how to play the piano as well as how to be a music producer.

Together they made some hits songs such as, "Why You Getting Me Twisted", "Disgrace", "Gcwala", and more. By the year 2009, Lord Axe was working on his new mixtape with McCoy, but since McCoy passed away in 2010, it was never released. In 2011, he started working with producers, Oscar Mafadza and Brian Shibanda and in April 2012, his mixtape, The Real McCoy was released. It featured such talented artists as, SFs, Kay E (a very successful unsigned Hip Hop artist), Golden Horn Award winner, Ronnie Nyakane (and more).

The mixtape yielded the hit songs, "No Turning Back", "HIanya More", and "Thula Ungabo Khala". After The Real McCoy, Lord Axe released a six song EP called, Under the Influence, which is available to download online. Now, Lord Axe is currently working on his second mixtape, Above the Influence. This is just the beginning folks, which is what he states. He tells us the best is yet to come.



The Interview...

What made you get into music?

"I was raised in a family with a very strong music background…. I grew up listening to opera music and i sang in school choir and in a community choir conducted by my brother."

What keeps your love for music alive?

"Every Artist I work with here in South Africa believes in, my fans and every one that appreciate my music out there in the whole world."

How does your life influence your music?

"I’m a humble and observant person, my music it’s not only based on my life experiences but also on everything I see around and in my community."

What made you get into all the various pieces within the music realm like; instrumentation, Hip Hop, Dancehall, and producing?

"I've always been that type of guy that’s always willing to learn something new. The very first day I was introduced to a recording studio, I knew right there and then that this is the place I want to be in everyday of my life. And from that day forward, I started to learn about everything that goes on in the studio and I knew that to become a great producer I need to play at least two instruments (Guitar & Piano).  My Poetry introduced me to Hip Hop and Dancehall is something I just recently found and I'm still trying to understand my newly found voice."



What kind of music do you produce?

"Hip Hop, House, Kwaito, Afro pop, and R&B."

Who are some of your biggest influences in music?

"My Community, Godfrey( My Brother), Ludacris, Eminem, Ryan Leslie, Pro, and Vybz Kartel."

How did you get into the promotional side of things and what do you like about it?

"I've been a musician for close to 8 years now and I've really struggled to get my name and music out to the people and it was simply because I had no 1 to assist me/someone with information and connections. I had to go out there and create my own connections and hustle platforms to showcase my music. So that’s basically the reason I got into the promotion side of things, to help other artists so they don’t get to struggle like I did before I got my name out there and to give them a platform and the chance to showcase their talents. I won’t stop at nothing till I see people who are talented achieving they dreams."

Where are some of the venues that you perform and promote at?

"Mostly I host open mic sessions @ a community center in Soweto Chiawelo and I promote my artists by getting them gigs where they can perform all around South Africa."



Who are some of the artists that you have worked with and what sort of projects have you done with them?

"I’ve worked with SFS(Dancehall Artists) who has also work with a lot of Big names In South Africa such as “Pro,Ringo,Jr…”. I also worked with the most successful unsigned artist in South Africa, “Kay E(Hip hop Artist)”  on my mixtape “The Real McCoy”. I also done a track and production for Golden horn award winner Ronnie Nyakane(Actor and Kwaito artist). I’ve worked with a talented young producer from Zimbabwe on a Dancehall Project and I’ve worked with a lot of up and coming artists around the world."

What can we expect from you in the future as far as your music and promoting is concerned?

"This year I’m dropping a six track EP tilted “Under the Influence” which is a preparation to my upcoming mixtape titled “Above The Influence” dropping next year in March. I'll be shooting two music videos this year and I'll be dropping a clothing label “BlaQ Market Clothing” at the beginning of next year.  I'll also be launching my Entertainment Company “Illusional Dynasty Entertainment”. "

What is your main goal that you are trying to reach through your music?

"I want to be successful, simply that."



Here are his links: 

Facebook:
FacebookGroups: 
Axe Above the Influence[Mixtape]
Chronical Jam Sessions
Twitter: @LordAxe_Cs
Music link:
SoundCloud link:



Tuesday, October 15, 2013

Legends of Hip Hop #6: Mobb Deep, the Queensbridge Legendary Duo



Mobb Deep is an East Coast Hardcore Hip Hop duo from New York (Queensbridge, Queens). The members are Havoc and Prodigy. They are one of the most well-known Hip Hop groups to ever hit the radio waves. They are known to deliver dark laced hardcore flows that netted them three million copies in the mid 90s.

Because of the three albums, The Infamous, Hell on Earth, and Murda Muzik, they helped take the Hip Hop music scene back from the West Coast. They were also a big part of the East Coast vs. West Coast feud that rocked the Hip Hop community with one of the most famous beefs in Hip Hop History. 



The Beginning...

In New York City, the duo met at the High School of Art and Design, where they called themselves, Poetical Profits. Due to the amount of "street creds" they possessed, they later changed their name to Mobb Deep, to reflect their status. It all started in  1993, when their debut album, Juvenile Hell came out.

The album included a hit single in, "Peer Pressure".  The album sold poorly despite the fact that DJ Premier and Large Professor had a hand in it. It later got recognition because of a few songs ( "Hit It from the Back", "Locked in Spofford", and "Me and My Crew"). In 1993, Havoc got a prime feature in the acclaimed Black Moon album, Enter Da Stage, on the song, "U Da Man".



The Fame...

In 1995, Mobb Deep released The Infamous, which was a smash hit partly due to the success of "Shook Ones Pt. II", which was heralded by the Hip Hop community. Their narration of growing up in Queensbridge Houses, the struggles of it, really played into the hearts of the listeners of Hip Hop at the time. They became the most well known East Coast Hardcore Hip Hop at the time. The beats were dark and sinster because of Havoc's attention placed on the beats for Mobb Deep, here on forward.

Hell on Earth, Mobb Deep's third album (released in 1996), furthered their push into the Hardcore Hip Hop elite as they continued to talk about the harsh realities of the New York steet life. They were respected at a high level, getting the same attention as Jay-Z, Biggie, Nas, and the Wu-Tang Clan. On Hell on Earth, both Raekwon and Method Man appeared on it (from Wu-Tang).

They were a part of Red Hot Organization's compilation CD, America is Dying Slowly (the Source mag. called it a masterpiece) along with many other high tiered New York artists. Up until 1999, the group kept busy with appearances on various tracks, including one for the movie Blade, that was a collaboration with the dancehall rapper, Bounty Hunter. When 1999 rolled around, they came out with their latest album, Murda Muzik (which debuted at number three on the Billboard 200). It didn't take long for it to be certified Platinum because of the popular single titled "Quiet Storm".



East vs. West Feud...

Mobb Deep was a part of the famous track "LA LA" that was a diss track in answering to Snoop Dogg and Tha Dogg Pound's East Coast diss called "NY NY". Tupac also openly dissed them in the tracks "Hit 'Em Up" and "When We Ride on Our Enemies". Hell on Earth, included a retaliation track against Tupac called, "Drop A Gem On 'Em". Being a part of the biggest feud in Hip Hop history, will keep their legacy alive from years to come.



Infamy and Beyond...

In 2001, Infamy came out while two Jay-Z diss songs surfaced, "Burn" ft. Vita and "Crawlin'". These two songs were in response to Jay-Z's diss (off of The Blueprint), "Takeover". On Infamy, they went for a whole different style then they are used to putting out. It was a more radio-friendly sound and some people in the Hip Hop community saw it as them "selling out". This caused them to lose a lot of their longtime fandom, who didn't want to see them change their style from the gritty grips of Hardcore Hip Hop.

Their attempt to open up their music to a wider audience failed, it ended up selling less than their previous album, Murda Muzik. Who really cares about album sales, their credibility has never been lost. The trueness about their music is that from 1995 to 2004, Sony Music Entertainment owns all their music. They reclaimed some fame from the release of Grand Theft Auto IV, when "Dirty New York"  was featured on it.

In mid 2005, Mobb Deep signed with G-Unit Records (50 Cents label). This resulted with their eighth album, Blood Money, which featured most of the artists of G-Unit as well as Mary J. Blige and Nate Dogg. Mobb Deep was the first Hip Hop duo to take to the stage in India, in 2006 at the club Enigma. 2009, they seperated from G-Unit.

There was a time that they broke up, but have since gotten back together because their music and friendship is way too important. After twenty years of music, they came out with their self-titled album and it features such industry giants as, the Alchemist, DJ Premier, Sid Roams, MTK, Cardiak, and the J.U.S.T.I.C.E. League (as producers), as far as artists goes, Rick Ross, Lil' Kim, Wiz Khalifa, Odd Future, and Nas. It has yet to be finished but it will soon come out.

I am glad they are still making music, many people still like to hear what comes out of this duo. Though they are a duo, don't forget about their solo albums as well. All in all, they have worked with so many respected names, became a respected name, and never stop making their music, this to me makes them legends. They have come out with hit after hit, so their songwriting abilities can't be tested. They have also survived feuds with Nas and Jay-Z and have been a part of the biggest feud that engulfed the West Coast and the East Coast. Their legacy is huge and they are a big part of the Queensbridge movement that took over Hip Hop from the West Coast.



Here are some of Mobb Deep's links that you should check out:

Facebook:
Their official website:
Soundcloud:
The song "Dog Shit" featuring Nas:
Mobb Deep-"Shook Ones Pt. II" video link:

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Written by: Craig Ludwig